| Filed | Form | Description | |
|---|---|---|---|
| 4/29/25 | DEFA14A | DEFA14A | → |
| 4/29/25 | DEF 14A | DEF 14A | → |
| 4/29/24 | DEFA14A | DEFA14A | → |
| 4/29/24 | DEF 14A | DEF 14A | → |
| 5/1/23 | DEFA14A | DEFA14A | → |
| 5/1/23 | DEF 14A | DEF 14A | → |
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| Filed | Form | Description | |
|---|---|---|---|
| 3/6/26 | 4 | 4 | → |
| 3/6/26 | 4 | 4 | → |
| 3/6/26 | 4 | 4 | → |
| 3/6/26 | 4 | 4 | → |
| 3/6/26 | 4 | 4 | → |
| 3/6/26 | 4 | 4 | → |
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A madrigal is a form of secular vocal music most typical of the Renaissance and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets.